Amos Kenan’s experimental short, which was shown at the Cannes Film Festival, follows two parallel plotlines. In the first, a couple on the beach discuss their relationship. They reminisce about how wonderful things once were and find themselves wondering whether that was indeed the case, whilst at the same time also dreading the future. At the same time, a second couple – two elderly men whom we meet, both live entirely in the past whilst dreading the present.